Photo (c) 2005 Neal Margolis
Kimi Julian

lives in the Sacramento Valley.  Her poetry has been published in Windhover The Literary Arts Magazine Of North Carolina State University, Tule Review, Poetry Now, Kiss of Death Press broadside series, Her-Story, POEMS-FOR-ALL broadside series from Irregular Press, WhetZine, Rattlesnake Review, and North Coast Review.  In September 2000, Julian’s experimental prose “...The Sweet Spring Corn (Another Day For The Dead In Guatemala)” was nominated for the Mary Roberts Rinehart Award at George Mason University in Fairfax, Virginia, and published in the monograph series for the 2003 National Association of African-American Studies And Affiliates.

 

 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

O SAN FRANCISCO

your living memorials glide down
Ellis and Geary streets
on weary feet:

FIRST,
(TRIOLET)

sailing, assailing, old clothes’ flapping winds and floating
barges in traveling lanes,
dense of humanity bait, barracudas on strike,
sailing, assailing old clothes, flapping winds and floating,
down the hill towards Powell and Market streets’ sacred cement grounds, bleeding gutters,
forcing pathways; slicing people, one way or the other, lingering old  residue, ugly karma trails,
sailing, assailing; old clothes’ flapping winds and floating
barges in traveling lanes.

First phase in “O San Francisco”
N. Unpublished final draft
from: Nature Passion Poems
In Seasons Of Transition, ms.
Copyright 2005 Kimi Julian



 
SUTTEE FOR THE LOVER

Suddenly I cannot connect to his spark.
Every chakra that fires up at the thought of him stops
fizzles out at its frayed extended ends madly coughing synapses.
His presence within me begins to atrophy.
I stare up at nightfall as black mist dims moonshine with a smoky cloak
and know as I think of you:
You left
or plan to
will confess if I force you
that you desire no more of me
except perhaps at your future convenience
on your terms.

I am trapped in a sealed urn
cremated alive
still burning with no mouth to shriek from or kiss you
charred powder among bits of bones and small gnarled knots of tough sinew
beef jerky for hedge hogs and food for humus and your pointed drilling worm.
What is left of me that is buoyant
popped the lid open and curled out like a jinn
steamed into the hemisphere blue hued cigarette breath—suddenly
collapsing
descending on your head
fell as small dark stars at your feet.

Kneel please.
Recall dipping your hands in my resinous myrrh
spilling from my ruby lips liquid amber heat as I clung to your fingers
extensive tongues
when I was alive inside and out.
Lick anyway.
Taste musky brown caked earth
with bitter charcoal crust that is me
worship before my gate again and beg
before what was my temple door
its dusty remains facing you
still
opened.

Look in the direction of Hades for me ground down
now:
Remember Orpheus begging for Eurydice to come back to him
as my thin wisp laps an obscured image of your face
peering at me wide eyed with sorrow.
Me
gazing up through hard undersides of packed clay
a thirsty bitch
digging a hole to you with reflected appendages of a vessel I once owed
that once stoked your skin while you slept
sweetly moaning
like a woman so pleased
she melted into our bed below us.

I will become the spring flower that blooms yourself
back at you.
My ashes as fertilizer.

Consider bits of me at this point in your personal observations of
everywhere you looked and went inside others.
Parts of you saw as clearly as mine did
a puzzle unfit for your interior design of the time
the rest diverted by
a little here
a portion there
in another
but most pieces were in one place
more than any other during our lifetime
sharecroppers that we were
harvesting gold with your pick in my tunnel
exploring together the learned
the foreign.
The repeating us inside periodically awakened by your persistent expeditions
identifies the noise and
cracks my soul door open to hear
the lover that will say
“I will wet my fingers and dip into you yet
consume you
even if I have to wait until I am old
at your fiery end to have you.”
To him
I offer my total containment
the joy house we once shared
or should have more
did to some extent
burned down into dust for want of you.
If you had gone down deep enough for me
my ash blonde taste
through my cut lime green eyes.

If you can perform this ritual
whatever you ask
I will say “yes!”
with or without lips
filled or uninhabited by you
but this time
I am finally gone
to an empty place I am familiar with
Kamala as my traveling partner
Eurydice as our guide
Shekhinah concealing us in Her unmistakable shadow.
Our heartbeats
match rhythm with Hers
as yours fades into an expanding distance of requited death:
My flaming ardor
my rose’s odor.
 
 

N. Unpublished final draft
from Passion Poems For Kamala, ms.
Copyright 2005 Kimi Julian

This poem is dedicated to the courtesan, Kamala, a primary character in Hermann Hesse’s novel, Siddhartha (trans. Hilda Rosner [1951; rpt. New York: Bantam Books, 1971]).