~ Poetry Matters ~

 
 
     Joel Fallon Benicia, California


        Image by Eden Hirsh
Contact   joelfallon@aol.com
Updated: 4 October  2008


       After Noble Silence
              Vipassana

No talking, not even “Please pass the salt,” 
or, “Good morning.” 
Nine days of Noble Silence, cold turkey. 
Listen and look inward. 
Still the transmitter; tune in the receiver. 
Washed in wisdom, I don’t even towel off. 

Buddha’s words shoot straight. 
Our words do not deflect them. 
Ancient arrows pierce our armor. 
Breath is focused.
Monkey minds are calmed. Self is seen in new ways.
Visions arrive, desires dim, pain is blunted. 

Too soon sweet weight of Noble Silence lifts. 
When, on the tenth day, we may talk again, I am reluctant 
to do so. I do not repair my armor. 
I leave the arrows imbedded where they are. 
Breathing in and out.


Anti Tank Team
 

It takes a special kind of cojones 
to stand up to a tank;
a special kind of “what the hell” 
and the ability to penetrate thick armor 
with your thought – 
to see the driver’s flesh and blood 
to feel the gunner’s pulse beating in his helmet. 
Try hard and you can smell their breath 
and tell what they ate for lunch.

Set aside the terrifying size and 
mighty bulk of the tank. 
Don’t get hypnotized by its 
horrible noise and how it 
gobbles up landscape.

Focus on the driver and the gunner. 
If you use what you have, 
and use it well, they won’t eat lunch again.
Ever.


                  Monster

 I hadn’t seen Carlo for more than a year. When he stopped answering my letters I resolved to travel to his village – my village formerly – to visit, thinking I had offended him or that something dark might have happened. 

 I found him sitting in the sun drinking wine the color of ox blood and smoking a cigarette. My heart sank when I saw the bandage. I knew what had happened.

 He had blinded himself and could neither see nor cry. “Abacinare.” the villagers had known that word for generations. A word dropped from most current languages.  To blind with heat, “Use a pruning hook, white hot,  held just in front of the eyes.” The villargers nodded knowingly. “It takes a few moments. Then – pfffftt - finished.”

 Responding to my voice Carlo smiled and rose to shake my hand and embrace me.

 “Don’t be sad, Justin. I am avoiding temptation almost entirely.”  Without asking I knew the “temptation” was Dorothea, his cousin. We sat and sipped wine in the cool afternoon, speaking obliquely about her but, curiously, never mentioning her name.

 The whole village knew Dorothea as a monster. She had been one since the age of six. Not a “monster” as the word is currently used - not ugly or evil. But a “monster” in the earlier sense of “being held up for view,” as with a piece of ritual altarware – the monstrance, containing the wafer – the body of Christ. The village kept the older meaning.

 Dorothea was a monster not of ugliness but of beauty, breathtaking, intoxicating, numbing beauty. There had been such monsters in the old days in our village – so beautiful that the villagers became quietly insane, wondering at the great beauty that slowly, day by day, turned their ordinariness into great ugliness. Other places and people know monsters – so ugly or fearsome or beautiful they could not be looked upon. Medusa could not be looked at directly for fear of turning into stone. God himself is said to be too beautiful, to brilliant, too awesome to look upon. Lot’s wife turned to salt. 

 Monsters, ugly or beautiful, overturn the social order even if they have no desire to do so. Monsters make us miserable. We must prepare ourselves to deal with them. Carlo understood that and the villagers understood that too.

 
 
 
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A Hungry Year

The pale riders swept 
through the village before dawn. 
We heard them coming 
and hid our heads. 
With steel and lead and brass they came, 
through columns of smoke they came, 
through unplanted fields they came 
churning diesel-drenched soil. 
No men in the village, 
no crops in the fields, 
no tears left to weep. 
Distant thunder on the left. 
A year of dismal days. A hungry year. 
Now, dull winter looms. 
Our wounded hearts shudder. 
Who will be left in spring?
 



A Prayer for Edwin Drummond
 

Is he far above the tree line
in a mist like frosted glass —
where the cold thin air must be gulped —
resting
where flowers starved of light and warmth are small?
Is that where he is?

Maybe he is belly flat on a sun-splashed perpendicular
rock face searching for a dimple that he can wedge a finger into —
calves burning and heart racing —
smiling at his own audacious mortality.

Of course he could have
just now
lost his grip and yielded
to the inexorable gravity
of the situation.
He is unflappable and I think he will not
flap his arms.

Wherever he is
I pray the mountain god 
and the god of low places
love him
and grant him what he seeks.



Key Lime Pie
 

I met a gal, oh me, oh my
she was prim and sorta shy.

I held her hand and winked my eye.
She smiled and gave a little sigh.

I kissed her an’ I like to die,
she tasted just like key lime pie!

Key lime pie, Key lime pie
I sing yer praises to the sky.

You be my gal, I’ll be yer guy
if you let me taste your key lime pie.

Then sure enough she let me try
a little bit of key lime pie.

We’ll be together until we die.
living on love and key lime pie.

Key lime pie, key lime pie
I sing yer praises to the sky.


Remember Bougainvillea

I remember summer
in the garden,
late afternoon, after swimming.
Warm adobe walls and
we are alone in the bougainvillea arbor.

Thorns on brown limbs
in green shadow.
Scarlet blooms
in your hands
and dark thorns on your pale 
adobe breasts.

You frown when thorn 
draws dark blood.
I kiss the taste of blood
and kiss your sharp dark thorns.

I remember you in summer.
I remember bougainvillea.